Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
During the 1600s Protestant leaders denounced visual representations, in a belief that a strict understanding of the scriptures was the only way to achieve salvation. As a result, Protestants did not generally commission religious images. However, where religious painting did appear, they often depicted verses from the Bible with strict didactic values, such as Sleeping Peasants near Fields (Parable of the Weeds). The subject of this painting is the Parable of the Weeds from Matthew 13:24-30. Simon de Vlieger has illustrated the point in the story where the peasants sleep after sowing good seeds, and the enemy, depicted here as a satyr, mixes in bad seeds in the fields as well. When the weeds begin to grow, confused, the peasants ask the farmer if they should remove the seeds. The farmer replies that they should let the weeds and wheat grow together, and he will destroy the weeds after the harvest. The lesson of the story is that good and evil people often mix together; but in the end the pious will prevail and the wicked will be destroyed.
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Jacob Salomonsz. van Ruysdael — Landscape with herdsmen and
Jacob Isaacksz van Ruisdael — Sandy Track in the Dunes
Johannes Schoeff — River View
Roelant Roghman — Forest landscape with lean-to
Meindert Hobbema (Dutch, 1638–1709) — A Cottage in the Woods
Roelant Roghman — Forest landscape with a woodsman's shed
Jan Wijnants (Dutch, 1635–1684) — Landscape with Hunters
Jacob Isaacksz van Ruisdael — Bosgezicht
Jan Wijnants — Landscape with a Rider Watering his Horse
Nicolaes Berchem (Dutch, 1620–1683) — Rush Gatherers
Pieter Jansz van Asch — Wooded Landscape
Jacob Jacobsz van Geel — Boslandschap