Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This unusual etching is one of only four prints that John Constable himself produced. All of these prints date to around 1826, about six years before Constable began to work closely with the printmaker David Lucas on a lush series of mezzotints reproducing some of his naturalistic landscape paintings. This etching retains the artist’s lively drawing style and also recalls his interest in earlier works by Dutch Baroque landscape etchers. He is in fact said to have owned several thousand prints by earlier European artists and to have consulted them for inspiration. He designed this print after a 14th-century bridge a mile outside Salisbury, England.
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Jean Baptiste Camille Corot — The Rider in the Reeds
David Lucas — A Mill
Johan Christian Clausen Dahl — Farmhouse in an Evergreen For
Jean Baptiste Camille Corot — The Cow Pasture
Fritz Overbeck — Windmill
Louis Auguste Lepère — Screen of Poplars
Odilon Redon — Horseman Under a Stormy Sky
Charles Émile Jacque — Evening Landscape
Charles Meryon — Chevrier's Cold Bath Establishment, Paris
Rodolphe Bresdin — The Distant City
Félix Henri Bracquemond — Le Chemin de Coutures, à Sèvres
Louis Auguste Lepère — Beautiful Autumn Morning