Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
When Rousseau was a toll operator for one of Paris’s city gates, he made the decision to become an artist. With no academic training, he started copying works at the Musée du Louvre in 1884 and two years later exhibited his works with the Neo-Impressionists at the Salon des Indépendants. In this drawing Rousseau’s lack of formal training is evident in the flattened forms and odd spatial relations of the landscape. These idiosyncrasies would inspire artists such as Vasily Kandinsky and Pablo Picasso.
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Outskirts of Paris
View of the Quai d'Asnières (Vue du quai d'Asnières)
View of Montsouris Park, the Kiosk (Vue du parc Montsouris,
The Great Laundry Boat at Charenton Bridge (Le Grand Bateau-
Landscape and Four Young Girls (Paysage et quatre jeunes fil
Outskirts of Paris (Environs de Paris)
Sawmill, Outskirts of Paris
Landscape and Four Fisherman (Paysage et quatre pêcheurs à l
Pieter Bruegel the Elder|Johannes van Doetecum I|Lucas van D
Donald Shaw MacLaughlan — The Two Pines, Switzerland
Rodolphe Bresdin (French, 1822–1885) — The Mountain Stream
Jacob Matham — Bohemian Landscape with Couples and Hunters (
Francis Seymour Haden (British, 1818–1910) — A Moorland Stre
Rodolphe Bresdin (French, 1822–1885) — The Comedy of Death
Ernest Haskell (American, 1876–1925) — Autumnal Point
Ernst Fries (German, 1801–1833) — Six Views of Heidelberg Ca
Paul Gauguin (French, 1848–1903) — Maruru (Offerings of Grat
Rodolphe Bresdin (French, 1822–1885) — First frontispiece fo
Ernst Fries (German, 1801–1833) — Six Views of Heidelberg Ca
Paul Gauguin — Maruru (Offerings of Gratitude), from the Noa