Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
The precise narrative of Dürer’s Sea Monster remains a source of debate among scholars because locating the origin of this imagery in either classical or German mythology has been difficult. The engraving depicts a woman’s abduction by a horned mythical hybrid creature that has the torso of a man and the tail of a fish. Set before a detailed coastal landscape featuring Nuremberg castle, the woman’s companions across the river flail their arms in distress over her kidnapping. While it is clear that Dürer aimed to showcase his achievements in portraying a reclining female nude, her somewhat blasé appearance and lack of struggle add to the peculiarity of this image.
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Albrecht Dürer — The Sea Monster
Albrecht Dürer — The Sea Monster
Albrecht Dürer — The Sea Monster (Das Meerwunder)
Lucas Cranach (German, 1472–1553) — Adam and Eve in Paradise
Albrecht Altdorfer (German, c. 1480–1538) — The Judgment of
Lucas Cranach the Elder — The Temptation of Saint Anthony
Lucas Cranach (German, 1472–1553) — The Temptation of St. An
Lucas Cranach (German, 1472–1553) — The Penance of St. John
Giulio Campagnola (Italian, 1482–1515) — Shepherds in a Land
Heinrich Aldegrever — Susanna Surprised by the Elders, from
Master MZ (German) — Memento Mori
Master MZ — Memento Mori