Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
A master lithographer, Delacroix experimented with the technique. By covering the surface of the stone with rich, black lithographic crayon and then scratching out the design with a sharp tool, Delacroix heightened the diabolical effect of this night scene where sorcerers tend to their boiling cauldron.
Be the first to share your thoughts.
Sign in to join the discussion.
Henri Fantin-Latour (French, 1836–1904) — Vision
Alphonse Legros (French, 1837–1911) — Death and the Woodcutt
Henri Fantin-Latour (French, 1836–1904) — Twilight of the Go
Francisco de Goya (Spanish, 1746–1828) — The Proverbs: God C
Charles Rambert — The Duel
Francisco de Goya (Spanish, 1746–1828) — The Proverbs: Woun
Eugène Delacroix — Macbeth and the Witches
François-Nicolas Chifflart — Diablerie
Rembrandt van Rijn (Dutch, 1606–1669) — The Presentation in
Odilon Redon — And over there, the Astral Idol, the Apotheos
Alphonse Legros (French, 1837–1911) — L'Incendie
Henri Fantin-Latour (French, 1836–1904) — The Evening Star