Israhel van Meckenem, the younger
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Ornament prints with mischievous tiny figures were in such demand in late-15th- and early-16th-century Europe that engravers like Israhel van Meckenem frequently borrowed imagery and entire compositions from other artists. The flower stalk that the naked wild men and women scale comes from a print by an earlier artist, the Master E. S. This print bears an inscription that translates to “The noble bees draw honey from the beautiful flower; from this one however, the frivolous vermin extract a stronger potion.” The ripe blossom thus symbolizes sexual consummation, and the print simultaneously tempts and warns the viewer about “the birds and bees.”
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Israhel van Meckenem (German, c. 1440–1503) — Upright Orname
Master of the Die|Perino del Vaga (Pietro Buonaccorsi) — A p
Martin Schongauer — Ornament with Owl Mocked by Day Birds
Wendel Dietterlin — Fantastic Architecture, plate 36 (later
Antonio Fantuzzi — Ornament Panel with Terms and Spiral Base
Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sa
Lucas van Leyden (Netherlandish, 1494–about 1533) — Panel of
Master of the Die|Perino del Vaga (Pietro Buonaccorsi)|Anton
Heinrich Aldegrever — Vertical Panel with Candelabrum Grotes
Nicoletto da Modena — Vertical ornament panel with Mars
Albrecht Altdorfer — Ornamental Design with an Angels Head a
Master of the Die|Perino del Vaga (Pietro Buonaccorsi)|Anton