Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
George Stubbs specialized in painting horses, and he frequently invested his compositions with Romantic flair by including ravenous predators and dark and stormy vistas. As seen here, his prints offered appropriately stark contrasts for these imaginative subjects while maintaining a sense of the dramatic; yet his practice of animal portraiture was in fact based on close anatomical study. His oversize 1766 book Anatomy of the Horse included a series of crosssection prints of horses in various poses, showing every layer from a horse’s silky hide to its skeleton.
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George Stubbs (British, 1724–1806) — A Horse Frightened by a
George Stubbs|R. Sayer and J. Bennett|Benjamin Green — The L
Eugène Delacroix — Lion of the Atlas Mountains
George Stubbs (British, 1724–1806) — A Horse Attacked by a L
Antoine-Louis Barye|Jules Laurens — Lion and Serpent
James Ward (British, 1769–1859) — Fourteen Celebrated Horses
Giovanni Benedetto Castiglione (Italian, 1609–1664) — Noah a
Charles Errard le fils — Coursier de Naple
Jean-Baptiste Oudry — Wolf Hunt
Giovanni Benedetto Castiglione — Noah and the Animals Enteri
Allart van Everdingen (Dutch, 1621–1675) — Reynard the Fox:
Allart van Everdingen (Dutch, 1621–1675) — Reynard the Fox: