● On view now — 117A Italian Renaissance
Cleveland Museum of Art, Cleveland · verified July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
These panels depicting Saints Anthony the Abbot and Michael originally flanked a central scene of the Madonna and Child with Angels, now lost, to form a triptych. Giovanni di Cosimo de’Medici of Florence commissioned the ensemble in 1457 as a gift to Alfonso V of Aragon. Fra Filippo Lippi, a Carmelite friar and one of the great masters of early Renaissance Florence, depicted realistic, weighty figures in a three-dimensional space using a system of linear perspective, inspired partly by Masaccio’s Brancacci Chapel, and reflected in the background architecture. Saint Anthony the Abbot rejected all earthly possessions in pursuit of a contemplative life in the desert. He is generally regarded as the founder of monasticism and is depicted wearing a monk’s habit. Saint Michael’s sword and shield refer to his role as heaven’s defender against evil.
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Virgin and Child with Angels
Pair of Panels from a Triptych: The Archangel Michael and St
Panel from a Triptych: The Archangel Michael
Portrait of a Woman with a Man at a Casement
Saint Lawrence Enthroned with Saints and Donors
Saints Augustine and Francis, a Bishop Saint, and Saint Bene
Madonna and Child Enthroned with Two Angels
The Annunciation
Lorenzo Monaco (Piero di Giovanni) — Abraham
Follower of Barna da Siena|Follower of Lippo Memmi (Italian,
Cosmè Tura (Cosimo di Domenico di Bonaventura) — Saint Louis
Pseudo-Palmeruccio — Saint Romuald
Saint in Red Cloak
Fra Angelico — Saint Anthony Abbot
Venetian — Saint Giustina of Padua from an Augustinian altar
Venetian — Saint Anthony Abbot from an Augustinian altarpiec
Lorenzo Monaco (Piero di Giovanni) — David
Standing Saint
Robert Campin (Netherlandish, 1375/79–1444) — John the Bapti
Ugolino da Siena (Ugolino di Nerio) — Saint Matthew