● On view now — 117A Italian Renaissance
Cleveland Museum of Art, Cleveland · verified August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
These panels depicting Saints Anthony the Abbot and Michael originally flanked a central scene of the Madonna and Child with Angels, now lost, to form a triptych. Giovanni di Cosimo de’Medici of Florence commissioned the ensemble in 1457 as a gift to Alfonso V of Aragon. Fra Filippo Lippi, a Carmelite friar and one of the great masters of early Renaissance Florence, depicted realistic, weighty figures in a three-dimensional space using a system of linear perspective, inspired partly by Masaccio’s Brancacci Chapel, and reflected in the background architecture. Saint Anthony the Abbot rejected all earthly possessions in pursuit of a contemplative life in the desert. He is generally regarded as the founder of monasticism and is depicted wearing a monk’s habit. Saint Michael’s sword and shield refer to his role as heaven’s defender against evil.
Be the first to share your thoughts.
Sign in to join the discussion.
Virgin and Child with Angels
Pair of Panels from a Triptych: The Archangel Michael and St
Panel from a Triptych: The Archangel Michael
Madonna and Child
The Annunciation
Portrait of a Woman with a Man at a Casement
Saint Lawrence Enthroned with Saints and Donors
Saints Augustine and Francis, a Bishop Saint, and Saint Bene
Lorenzo Monaco (Piero di Giovanni) — Abraham
Follower of Barna da Siena|Follower of Lippo Memmi (Italian,
Cosmè Tura (Cosimo di Domenico di Bonaventura) — Saint Louis
Pseudo-Palmeruccio — Saint Romuald
Saint in Red Cloak
Simone Martini — Saint James Major
Lorenzo Monaco (Piero di Giovanni) — David
Standing Saint
Robert Campin (Netherlandish, 1375/79–1444) — John the Bapti
Ugolino da Siena (Ugolino di Nerio) — Saint Matthew
Segna di Buonaventura — Saint John the Evangelist
Gherardo Starnina — Twee evangelisten