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In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
When Mahavira chose to renounce his life as a prince to seek omniscience and ultimate liberation, he traveled from his palace to the countryside until he came to a wooded park. The text states that under an ashoka tree in the park, Mahavira removed his ornaments and garlands and plucked out his hair with his fists in five handfuls. In the illumination he unflinchingly grasps a fistful of hair, his pectoral muscle flexed with the effort. Indra, the four-armed king of the gods, sits under a royal canopy on a lower level than Mahavira and praises his extreme act of self-mortification. The dramatic moment is effectively conveyed through the pert and wiry line drawing and bold palette of pigments made from lapis lazuli, vermilion, and lavish amounts of gold.
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King Siddhartha's Morning Bath, Folio 22 (verso), from a Kal
Mahavira Gives Away his Possessions, Folio 35 (verso), from
Indra Commands Harinaigameshin to Transfer the Embryo of Mah
Queen Trishala's Grief and Happiness, Folio 29 (recto), from
The Fourteen Dreams of Queen Trishala, folio 14 (recto), fro
Indra Venerates the Embryo of Mahavira, Folio 7 (recto), fro
King Siddhartha and Queen Trishala with the Dream Interprete
Mahavira Rides in His Initiation Palanquin, Folio 36 (recto)
The Fourteen Dreams of the Brahman Woman Devananda, Folio 3
Mahavira in the Realm of Liberation (Nirvana), Folio 43 (ver
Ritual Bath of Mahavira, Folio 31 (recto), from a Kalpa-sutr
Birth of Parshva, Folio 45 (recto), from a Kalpa-sutra