Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The technique of micrography, in which artists use microscopic script to realize abstract designs or figurative representations, traces its origins to Islamic and Judaic traditions of image-making with minute letter forms. In the early 18th century Germany artists such as Johann Michael Püchler and Matthias Buchinger also practiced the art form, creating ingenious images that required great dexterity from their creators and sustained scrutiny from their viewers. These two prints show how the artist reworked the print matrix to enlarge the text inscription and coat of arms at the bottom margin.
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Robert Nanteuil — Charles-Emmanuel, Duc de Savoie
Anonymous, British, 17th century — His Royal Highness James
Gilles Jacques Petit|Jean Etienne Liotard — Portrait of Fran
Pierre-Imbert Drevet — Portrait of Philippe V, King of Spain
Robert Nanteuil — Louis de France, called Le Grand Dauphin o
Robert Nanteuil (French, 1623–1678) — Pierre Seguier Chevali
Joseph Bowes|James Stewart & Co.|Louis II de Bourbon, Prince
Jacques Barbié — Portrait of Louis Auguste, Heir Apparent of
anonymous — Portrait of William III, Prince of Orange and Ki
Pierre Louis van Schuppen — Joseph-François Borri
Robert Nanteuil — Louis XIV
Ange Laurent de Lalive de Jully — Roger de Rabutin, Comte de