Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This print exemplifies popular depictions of the Passion of Christ, which often united multiple parts of the New Testament story into one overwhelming scene, from the first half of the 17th century. Here Rembrandt van Rijn combined the Presentation of Christ to the people by Pontius Pilate and the Mocking of Christ by the people of Jerusalem into one large and deeply moving etching. Although surrounded by the Pharisees and a motley crowd of mocking onlookers, Christ appears disengaged as he looks to the heavens, his hands clasped in prayer.
Be the first to share your thoughts.
Sign in to join the discussion.
Rembrandt (Rembrandt van Rijn) — Christ Before Pilate: the
Rembrandt van Rijn (Dutch, 1606–1669) — Christ Before Pilate
Zacharias Dolendo (Dutch, 1561–1604) — Passion Set: Christ
Rombout Eynhoudts|Peter Paul Rubens — Cambyses punishing the
Hendrick Goltzius (Dutch, 1558–1617) — The Passion: Christ b
Rembrandt van Rijn (Dutch, 1606–1669) — The Circumcision: Sm
Hendrick Goltzius — The Circumcision, plate four from The Bi
Cardinal Pietro Aldobrandini|Oliviero Gatti — A Young Man Pr
Jacobus van Campen|Titian (Tiziano Vecellio)|Valentin Lefebv
Hendrick Goltzius (Dutch, 1558–1617) — The Passion: Ecce Hom
Rembrandt van Rijn (Dutch, 1606–1669) — Death of the Virgin
Jacques Callot (French, 1592–1635) — The Life of the Virgin: