Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
With the subject of Carcasses, Alexandre-Gabriel Decamps was following an old artistic tradition. He was inspired by Rembrandt's (1606-1669) Slaughtered Ox (see photo) which he would have seen at the Louvre Museum. Decamps greatly admired the Dutch master and owned several paintings by him. In spite of the inspiration from Rembrandt, Decamps's watercolor of about 200 years later conveys a different mood. Instead of focusing on a single butchered corpse as Rembrandt had, Decamps viewed his bodies and slabs of meat from further back, and he included domestic objects and a background figure standing at a table. Decamps's resulting image stands less as a symbol of death and more as a matter-of-fact representation of daily life.
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Abraham van den Hecken — The Slaughtered Ox
Wybrand Hendriks — Hunting Still Life in a Forest
Jean-Baptiste Oudry (French, 1686–1755) — A Hare and a Leg o
Richard Earlom — The Game Market
Mariano Fortuny, 1838–1874 — A Morrocan farrier at left acco
Aert Pietersz. — Couples Making Love at a Country Inn
Adriaen van Ostade (Dutch, 1610–1684) — The Barn
Frans Snijders — Larder Still life
Charles- Alphonse Deblois — Hunting trophy with game birds a
Jan de Baen — De lijken van de gebroeders De Witt
Cornelis Lelienbergh — Still Life with Parrot and Snipes