Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Dürer’s interest in mythological imagery stemmed from his familiarity with the Italian Renaissance. In this ambiguous engraving, Dürer depicted a satyr-a hybrid woodland creature typically associated with lust-in the role of father and family man. Instead of carousing in the forest, he plays music to his newborn child. Dürer’s play on the mother and child theme and the satyr’s unconventional fatherly behavior draws attention to a primal and simplified way of life. In contrast though, the group rests within an inhospitable dense forest where tops of trees are splintered and branches are dead, implying that the figures’ relaxed instinctual approach toward procreation and sexuality remains outside the bounds of Christian virtue.
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Albrecht Dürer — Satyr Family
Albrecht Dürer — Satyr Family
Marcantonio Raimondi (Italian, 1470/82–1527/34) — Faun and C
Ludwig Krug — The Fall of Man
Hans Baldung (German, 1484/85–1545) — Adam and Eve
Marcantonio Raimondi|Albrecht Dürer — Adam and Eve with appl
Hans Baldung (called Hans Baldung Grien) — Adam and Eve
Hans Baldung (called Hans Baldung Grien) — The Three Fates:
Hans Baldung (called Hans Baldung Grien) — The Witches
Lucas Cranach the Elder — The Fall of Man
Lucas Cranach the Elder — Adam and Eve in Paradise
Lucas van Leyden — Boy with a Trumpet