Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
The technique here is marked by white lines and areas set against a dark background. Damp paper was placed on a carved wooden block and pressed into the engraved incisions. The paper was then hand colored, the sunken areas remaining white and appearing in reserve against the colored background. The effect is meant to resemble a stone rubbing, a traditional technique in China used to reproduce and preserve images on monuments on paper.
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Takigawa and Katarai of the Ogiya, from the series "Models f
Shioginu of the Tsutaya, from the series "Models for Fashion
Oshu of the Yamaguchiya, from the series "Models for Fashion
Untitled
The Courtesan Karahama of Yamashiroya Performing the Tea Cer
Untitled
View of Mount Fuji at sunrise on New Year's Day
Sayoginu of the Yotsumeya, from the series "Models for Fashi
Isoda Koryusai — Pheasants under Branch of Peach Blossoms
Okumura Masanobu — Sparrows, Thatched Roof, and Bamboo
Utagawa Hiroshige — Peacock and peonies
Picture of a Cat, a Bird, and a Crabapple
明 十竹齋書畫譜 四開|Leaf from the Ten Bamboo Studio Manual of Pa
Ito Jakuchu — Red Parrot on the Branch of a Tree
Kuwagata Keisai
Isoda Koryusai — Mandarin Ducks Swimming under Plum Branch
Sō Shiseki
Lü Ji 呂紀 — 松牡丹孔雀図|Peacocks, Pine Tree, and Peonies
Ren Yi — The Five Virtues
明 十竹齋書畫譜 四開|Leaf from the Ten Bamboo Studio Manual of Pa