Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Here, the actor plays the role of an exiled statesman, transforming himself into a vengeful thunder god. The red-and-white make-up style— kumadori , or "shadow painting"—is characteristic of the aragoto manner of portraying heroic roles. The crossed eyes and clenched mouth—in this role a plum blossom branch is added—demonstrates the conventional mie pose used by Kabuki actors to express intense emotion at the most dramatic moment in the play. The audience applauds the actor’s ability to hold this pose, influenced by the stylized movements of the puppets in the famous Bunraku theater. This sensational transformation of the hero is the high point of the scene.
Be the first to share your thoughts.
Sign in to join the discussion.
Utagawa Kunimasa (Japanese, 1773–1810) — Nakamura Nakazo II
Utagawa Kunisada I (Toyokuni III) — Actor Nakamura Utaemon I
Tsukioka Kôgyo — Shakkyo, from the series "One Hundred No Dr
Utagawa Kunisada I (Toyokuni III) — The actor Nakamura Utaem
Utagawa Sadamasu (Japanese) — Nakamura Utaemon IV as Ono Sad
Katsukawa Shunsho — The Actor Nakajima Mihoemon II as Shujak
Katsukawa Shunsho — The Actor Ichikawa Danjuro IV possibly a
Yokogawa Horitake|Utagawa Kuniyoshi
Katsukawa Shunsho — Actor Ichikawa Danjûrô IV as an Immortal
Katsukawa Shunkо̄ — The Actor Nakamura Nakazo I as Toyose Sa
Toyohara Kunichika
Katsukawa Shunsho — The Actor Ichikawa Danzaburo II as Usui