Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Remarkable in its delicacy of execution, Hans Bol’s design for the print of the same subject exceeded the needs of the collaborating printmaker. In addition to the clearly articulated compositional elements, Bol introduced a differentiated color scheme. Tones of brown wash add volume to the animals in the ornamental frame while a gray-scale dominates the central scene. This use of color did not translate to the single-ink color of the related engraving, suggesting that Bol made his preparatory drawing to fulfill his artistic ideals as draftsman, regardless of practical function.
Be the first to share your thoughts.
Sign in to join the discussion.
August, from Twelve Months
Jacob's Dream, from Landscapes with Old and New Testament Sc
Renaissance Jeweled Pendant Sea Monsters
Otilia Bavara (Saint Otilia of Bavaria)
Rebecca and Eliezer at the Well, from Landscapes with Old an
Designs for Pendants with Sea Monsters
The Parable of the Good Samaritan, from Landscapes with Old
Magellan Seated on Deck, from Americae Retectio
Adriaen Collaert|Hans Bol — The Sending Out of the Apostles
Hans Bol — Plate 11, from Landscapes with Scenes from the Ol
Hans Bol — Plate 6, from Landscapes with Scenes from the Old
Hans Bol — Landscape with the Sacrifice of Isaac within a De
Hans Bol — Plate 12, from Landscapes with Scenes from the Ol
Hans Bol — Plate 17, from Landscapes with Scenes from the Ol
Hans Bol — Plate 15, from Landscapes with Scenes from the Ol
Hans Bol — Plate 3, from Landscapes with Scenes from the Old
Hans Bol — Plate 8, from Landscapes with Scenes from the Old
Pieter van der Borcht — November, from The Twelve Months
Hans Bol — Plate 14, from Landscapes with Scenes from the Ol
Pieter van der Borcht — October, from The Twelve Months