Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Odilon Redon’s fantastically dark sensibility is in full evidence in Fear. A rider protecting a child in his arms gallops past desolate plunging ravines, driven by an unseen threat. Redon’s dramatic etching may refer to the Elfking (Der Erlkönig), a tragic 1782 poem by Johann Wolfgang von Goethe. In that work, a father tries to reassure his anxious, dangerously ill son that the hostile elements that beset them are not elves trying to spirit him away. Though the child dies, the poem remains open to interpretation. Indeed, Redon’s forbidding landscape strongly suggests the presence of supernatural forces only the doomed son could sense.
Be the first to share your thoughts.
Sign in to join the discussion.
Odilon Redon (French, 1840–1916) — Fear
Rodolphe Bresdin — The Knight's Return
Rodolphe Bresdin — The Holy Family with Pole
Félix Bracquemond|Auguste Delâtre — Adieu aux Karpatz
Alexandre Calame — Alpine Landscape
Joseph Mallord William Turner — Mer de Glace, plate 50 from
Alexandre Calame — The Alps, from Various Landscape Sites
Joseph Mallord William Turner — Mer de Glace, plate 50 from
John Martin|Thomas Goff Lupton|Walter Benjamin Tiffin|Willia
Joseph Pennell — The Holy Trinity of the Castles in the Air
Joseph Pennell — The Home of the Baa Laam
Joseph Mallord William Turner — Ben Arthur, plate 69 from Li