Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The daughter of a wealthy Philadelphia brewer, Amelia Bergner was active in musical and cultural circles. It is likely that her interest in art, rather than an urge to classify the region's flora, prompted her to produce the botanical album from which this print is drawn. Bergner placed fern fronds and leaves directly on paper coated with light-sensitive chemicals and pigments, which she then exposed to the sun. The practice of recording botanical specimens photographically dates to the earliest photographic experiments: William Henry Fox Talbot reproduced flowers and leaves on light-sensitive paper in the 1830s and was considered fitting for 19th-century women, as it exposed them to art, science, and healthful fresh air.
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William Henry Fox Talbot — 1. Felce. 2. Alga
William Henry Fox Talbot — Felce
William Henry Fox Talbot — 1. Aglio. 2. Cestro. 3. Poa.
William Henry Fox Talbot — 1. Foglia di Fico. 2. Foglia di S
William Henry Fox Talbot — 1. Foglia di Fico. 2. Foglia di S
William Henry Fox Talbot — Foglia di Peonia
William Henry Fox Talbot — 1. Cestrum Parqui. 2. Fiora di un
William Henry Fox Talbot — Thapsia Asclepium from Corfu
Charles Hippolyte Aubry — [Study of Leaves on a Background o
Henry Bradbury (British, 1829–1860) — Ferns of Great Britain
Unknown — [Botanical Specimen: Fern]
William Henry Fox Talbot — Graminacea