Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
The oddness of a sculptural fragment draped with clothing points to the workshop context of this drawing. When young artists became apprentices to master artists, they sometimes learned to draw by sketching from sculptures, even draping them with fabric in order to practice folds and texture. The technique of this pen-and-ink drawing—with closely spaced, crossed lines within tightly closed outlines—ties it to the circle of Domenico Ghirlandaio, a Florentine painter to which Michelangelo was apprenticed in 1487. Apprentices in Ghirlandaio’s large studio were taught his “system” for creating tone and depth.
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Franciabigio — Virgin Mary Standing in Profile
Domenico Fiasella — Seated Woman in Profile, to Right
Unknown Genoese — Caryatid (recto); Three Sketches: Two Cary
Monogrammist VCP — A Young Woman Holding a Cushion
Circle of Giovanni Battista Trotti — Saint Paul
Eustache Le Sueur — Study for Saint Gervasius
Alonso Berruguete — Study of Levi
Giovanni Bandini (called Giovanni dell'Opera) — Standing Apo
Girolamo da Carpi — Standing Draped Female Figure
Unknown Sienese — Full-Length Figure of a Woman
Domenico Fiasella — Standing Magus (recto); Sketch of Stable
Andrea del Sarto — Standing Woman