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In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Although foreign to Europe, camels and other non-native animals were sometimes displayed as curiosities on the continent. Cornelis Saftleven recorded one such rare encounter, capturing the animal’s fur by using a combination of black, brown, and ocher chalk, in some areas (the head and haunches) wetting the media to create denser passages in contrast to the dryer, more disperse use of chalk elsewhere. The addition of ink wash added further shading to suggest the volumes of the camel’s body.
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Rembrandt (Rembrandt van Rijn) — Man Leading a Camel
Rembrandt (Rembrandt van Rijn) — Three Dromedaries
Stefano della Bella — Plate 18: Camel viewed from behind wit
Stefano della Bella|Pierre Mariette — Camels, plate 17 from
Stefano della Bella|Pierre François Basan — Plate 18: Camel
Stefano della Bella|Pierre Mariette — Camel viewed from behi
Stefano della Bella — Plate 17: Camels, from "Various animal
Johann Adam Klein — Dromedary and Camel
Study of Camels
Stefano della Bella|Pierre François Basan — Plate 18: camel
Giovanni Battista Foggini (Italian, 1652–1725) — Study of a
Stefano della Bella|Nicolas Langlois — A Polish nobleman, fa