● On view now — Gallery 221
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
An ardent explorer of the remotest corners of France, Théodore Rousseau painted View of Salève, near Geneva during a three-month stay in the mountainous Jura region. Although his larger canvases were consistently excluded from the official Parisian art show known as the Salon, his smaller panoramic oil sketches found mainstream admirers. With a few deft strokes, Rousseau conveyed steep, rocky outcroppings; plains dotted with shrubs; and the luminosity of moisture-laden clouds and sky.
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George Fennel Robson — Snowdon from Llyn Nantlle, North Wale
Carl Rottmann (German, 1797–1850) — Epidauros
Edward Lear (British, 1812–1888) — Olevano
David Roberts (Scottish, 1796–1864) — Gebil Hor. Mount Hor,
William Turner (British, 1789–1862) — A View from Moel Cynwi
George Inness (American, 1825–1894) — Approaching Storm from
Robert S. Duncanson (American, 1821–1872) — View of Lake Pep
Thomas Cole — New England Scenery
Jasper F. Cropsey (American, 1823–1900) — A View from Bald M
John Frederick Kensett (American, 1816–1872) — An October Da
Frank Short (British, 1857–1945) — The Mildmay Sea-Piece
David Roberts (Scottish, 1796–1864) — Descent from the Valle