Sanjo Kantaro as a Young Woman Standing in a Wisteria Arbor

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FROM THE CLEVELAND MUSEUM OF ART’S CATALOG

This rare, hand-colored print incorporates a technique called urushi-e, literally "lacquer picture," in which the artist paints deer glue over areas of black pigment, producing a lustrous effect reminiscent of lacquer. Metal filings were sometimes sprinkled onto the pigment for decorative effect. Kiyonobu’s prints are characteristically hand-colored and outlined in black. Inspired by a family tradition of painters of Kabuki posters, Kiyonobu created prints mainly of actors and scenes from plays.

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