Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Frith was the first photographer in Egypt to successfully use the wet collodion process, introduced in 1851. Its glass plate negatives yielded sharper, more detailed images than paper ones. He even created mammoth plate prints, as this size is called, which required equally large glass plate negatives. Pursuing the process’s exacting chemistry in Egypt’s scorching sunlight was trying. Frith sometimes sought refuge in tombs for the cool air and darkness to process his plates. “Pushing myself backwards upon my hands and knees, into a damp slimy rock-tomb . . . I prepared my pictures by candlelight in one of the interior chambers. . . . The floor was covered . . . with an impalpable ill flavored dust, which rose in clouds as we moved; from the roof were suspended groups of fetid bats.”
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Francis Frith — The Sphynx and the Great Pyramid, Geezeh
Francis Frith — The Great Pyramid and The Great Sphinx
Maxime Du Camp — Pyramide de Chéphren, Egypte Moyenne, plate
Gustave Le Gray — Pyramides de Gizèh
Francis Frith — The Sphynx and Great Pyramid
Francis Frith — The Sphynx and Great Pyramid, Geezeh
Gustave Le Gray — Pyramides de Gizèh
Gustave Le Gray — Pyramides de Gizèh
Francis Frith — The Pyramids of Dahshoor
Félix Teynard|Imprimerie Photographique de H. de Fonteny et
Félix Teynard|Imprimerie Photographique de H. de Fonteny et
Francis Frith — The Pyramids of El Geezeh, from the Southwes