Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Color printing reached a level of perfection in the early 1600s, as seen in this Ten Bamboo Studio Collection of Calligraphy and Painting and the Mustard Seed Garden Manual of Painting (printed 1679 and 1701). The painterly quality, precision in registering (aligning) the woodblocks, and harmonious colors made them the most successful color print editions in Chinese history. Both editions were printed and compiled in Nanjing, spread nationwide, and had a great impact on the arts in Japan and Korea.
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明 胡正言 《十竹齋書畫譜》 四開 木版畫|Page from the Ten Bamboo Studio Ma
明 胡正言 《十竹齋書畫譜》 四開 木版畫|Page from the Ten Bamboo Studio Ma
明 胡正言 《十竹齋書畫譜》 四開 木版畫|Page from the Ten Bamboo Studio Ma
明 胡正言 《十竹齋書畫譜》 四開 木版畫|Page from the Ten Bamboo Studio Ma
明 胡正言 《十竹齋書畫譜》 四開 木版畫|Page from the Ten Bamboo Studio Manual
明 胡正言 《十竹齋書畫譜 四開 木版畫|Page from the Ten Bamboo Studio Manual
明 胡正言 《十竹齋書畫譜》 四開 木版畫|Page from the Ten Bamboo Studio Manual
明 胡正言 《十竹齋書畫譜》 四開 木版畫|Page from the Ten Bamboo Studio Manu
Utagawa Toyokuni I — Hand-mirrors of actors (Yakusha awase k
Zhang Ruoai (Chinese, 1713–1746) — Desk Album: Flower and Bi
Nishikawa Sukenobu — Ehon Shimizu no ike
Yao Luan — Ghosts
China — Sutra Cover
Hishikawa Moronobu — Yamato shinoe zukushi
Kitagawa Utamaro — Ehon waraji jogo (Picture book: The Laugh
Min Zhen (Chinese, 1730–after 1788) — Album of Miscellaneous
Fuyo — Gazu suifuyo

Hishikawa Moronobu — Yokei Tsukuri Niwa no Zu