Henri-Joseph-Constant Dutilleux
Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Unlike most cliché-verres, which are similar to line drawings, Dutilleux's thirteen works in this medium are extremely tonal. The artist described them as "monochrome paintings on glass for photography." Instead of scratching the design into the opaque ground covering the glass plate, as Corot or Daubigny had done, Dutilleux created the image by painting the plate with it.
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Félix Bracquemond (French, 1833–1914) — Landscape, after Fra
John Crome (British, 1768–1821) — Back of the Mills
Jean Baptiste Camille Corot (French, 1796–1875) — Italian La
Charles François Daubigny (French, 1817–1878) — The Ford
Francis Seymour Haden (British, 1818–1910) — Windmill Hill,
Charles François Daubigny (French, 1817–1878) — The Hydrauli
Jean Baptiste Camille Corot (French, 1796–1875) — Willows an
Jean Baptiste Camille Corot (French, 1796–1875) — Souvenir o
Francis Seymour Haden (British, 1818–1910) — Early Morning,
Félix Ziem (French, 1821–1911) — Edge of Marsh at Couronne
Camille Corot|L. Grandguillaume — Two Travelers in a Forest
Félix Bracquemond (French, 1833–1914) — Landscape, or The Wh