Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Courtesans were on display to potential clients through bars, an aspect of their jobs that also afforded an opportunity to have socially distanced interactions with fellow entertainment district denizens. Here, a courtesan with a crane motif on her obi sash converses with her lover, a young man carrying a miniature theater. The poem in the cloud above them comes from New Collection of Poems Ancient and Modern (新古今和歌集) and reads, Although I yearn, I do not speak as days and months, pass by behind my cedar gate. How can I endure keeping this secret within?
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Chōbunsai Eishi (Japanese, 1756–1829) — Party on the Pleasur
Suzuki Harushige
Kitagawa Utamaro (Japanese, c. 1754–1806) — Chushingura: Act
Suzuki Harunobu — 百人一首 小式の内持|Koshikibu no Naishi (999–1025),
Suzuki Harunobu — 鈴木春信画 虚無僧・「風俗四季歌仙 卯月」|A Flute-Playing Monk
Katsukawa Shunzan (Japanese, active c. 1782–98) — Courtesans
Chōbunsai Eishi (Japanese, 1756–1829) — Print from Women Res
Utagawa Toyokuni (Japanese, 1769–1825) — The Shika Teahouse
Kitagawa Utamaro (Japanese, c. 1754–1806) — Musashi Provinc
Keisai Eisen (Japanese, 1790–1848) — Pictures of Eastern Bro
Katsukawa Shunchō (Japanese) — Young Man and Women on Tokiwa
Torii Kiyonaga (Japanese, 1752–1815) — Three Women (from the