Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Beginning in 1774, Richard Earlom produced 200 mezzotints after a famous album of Claude Lorrain landscape drawings then in the collection of the Duke of Devonshire, Chatsworth (now at the British Museum). Published in two volumes in 1777, the Liber Veritatis became Earlom’s most influential publication. Most famously, it inspired J. M. W. Turner’s partially mezzotint Liber Studiorum , especially his “elevated pastoral” category.
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Liber Veritatis: No. 89, View of a Mountainous Extended Cou
The Superb Lily, from The Temple of Flora
The Superb Lily, from The Temple of Flora
Liber Veritatis: No. 68, A Landscape at Sunset with Fisherm
Liber Veritatis: No. 145, A Landscape, with Figures, Simon
Liber Veritatis: No. 138, A View of the Sea, with Christ Pr
Liber Veritatis: No. 135, A Landscape, with Buildings, Merc
Liber Veritatis: No. 108, Landscape with Satyrs and Nymphs
Claude Lorrain (Claude Gellée)|Richard Earlom|John Boydell —
John Thane|Thomas Rowlandson|Thomas Gainsborough|Carl Friedr
Richard Earlom (British, 1743–1822) — Liber Veritatis
John Thane|Carl Friedrich Abel|Thomas Rowlandson|Thomas Gain
Richard Earlom (British, 1743–1822) — Liber Veritatis: No.
Friedrich-Wilhelm Gmelin — Ber See von Albano bei Rom
Thomas Gainsborough|Carl Friedrich Abel|John Thane|Thomas Ro
Thomas Gainsborough|John Thane|Thomas Rowlandson|Carl Friedr
Thomas Rowlandson|Paul Sandby|John Thane — Pastoral Riversid
Joseph Mallord William Turner — Bridge and Cows, plate 2 fro
Herman van Swanevelt (Dutch, c. 1600–1655) — The Flight into
William Woollett (British, 1735–1785) — Landscape