Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In Albrecht Dürer’s richly symbolic and densely patterned woodcut, two angels hover above the Madonna and Child, preparing to crown their queen. Others celebrate the coronation by playing musical instruments. A seated cherub offers the Madonna potted lilies, a sign of her purity, while a standing angel presents grapes, a symbol of the Eucharist and Christ’s bloodshed. Like Lucas Cranach the Elder’s Eve from The Fall of Man (1962.113), Dürer’s Madonna takes center stage amongst the throng of angels and proffers her own fruit. This detail connects the Madonna, who brings eternal life through her son, Jesus, with Eve, who brings death into the world through original sin.
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Albrecht Dürer (German, 1471–1528) — The Virgin Surrounded b
Hans Baldung (called Hans Baldung Grien) — The Virgin and Ch
Martin Schongauer — The Madonna on the Crescent Crowned by T
Martin Schongauer — The Madonna on the Crescent Crowned by T
Albrecht Dürer (German, 1471–1528) — Virgin Crowned by an An
Hans Burgkmair (German, 1473–1531) — The Holy Family with St
Albrecht Dürer (German, 1471–1528) — Holy Family with the Bu
Master ES (German, active 1450–67) — Madonna and Child in a
Master ES (German, active 1450–67) — Madonna Enthroned with
Albrecht Altdorfer — The Coronation of the Virgin, from The
Albrecht Altdorfer — Altarpiece with the Beautiful Virgin of
Cristofano Robetta (Italian, 1462–1534) — Virgin and Child w