Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Albrecht Dürer engraved this Crucifixion scene on a small golden plate, which likely decorated the Holy Roman Emperor Maximilian’s hat or sword hilt. The backward letters INRI (identifying Christ as the so-called King of the Jews) and the switched placement of Mary and John suggest that this impression was pulled from such a plate, the image appearing in reverse as a result of the printing process. Considering the softness of precious metals, gold plates were primarily intended as jewelry rather than as printing matrices. Dürer’s early training with his goldsmith father likely influenced his skill with the burin, especially on this minute scale.
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Albrecht Dürer|Anonymous, German, 16th century — The Crucifi
Jan (Johannes) Wierix|Albrecht Dürer — The Crucifixion (Roun
Albrecht Dürer (German, 1471–1528) — The Crucifixion
Albrecht Dürer|Anonymous, German, 16th century — The Crucifi
Carl Kappes|Albrecht Dürer — The Crucifixion (Round) (copy)
Anonymous, 15th century — Christ on the Cross with the Virgi
Martin Schongauer (German, c. 1450–1491) — Christ on the Cro
Martin Schongauer — The Crucifixion
Anton Gerbel — Christ on the Cross With Two Angels
Martin Schongauer — The Crucifixion
Lucas van Leyden — The Crucifixion used in Missale Traiecten
Abraham Waesberge|Albrecht Dürer — Engraved copies of The Li