Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Color photography was not widely available until the 20th century, but 19th-century photographs could be embellished with hand-applied paints or dyes for an extra charge. Hand coloring, often done by women, usually was limited to adding dabs of pink on lips and cheeks or gold on jewelry, but sometimes, as here, the entire surface would be covered to emulate a painting. The edges of this mount are covered with trial dabs of watercolor that would have been hidden by the mat. Once portraits leave the context of the family, the identities of the sitters are most often lost, as is the case for these twins. Since the Davis Brothers’ studio was in Portsmouth, New Hampshire, around this time, one can assume the twins lived there.
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Elizabeth Murray — Two Seated Baby Girls (recto), a Still Li
Unknown — [Eddie and Charlie Campbell]
Henri Lehmann (French, 1814–1882) — Portrait of a Child
Jeremiah Gurney
American, 1812-1895 — Untitled (Portrait of
Clara L. White as a Child
Unknown — [Two Girls]
Unknown artist — Bust of Child
Gustave Boulanger — Portrait of Woman and Three Children
Rufus Anson — Untitled (Portrait of a Boy and Girl)
Kate Greenaway — Two Little Girls with Bonnets
Lewis Carroll (British, 1832–1898) — Julia and Ethel Arnold
Elizabeth Murray — Bust Portrait of Child