● On view now — 118 Italian Renaissance
Cleveland Museum of Art, Cleveland · verified July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Bronzino was court painter to Cosimo I de’Medici, the Duke of Florence. Though the woman cannot be definitively identified, she was likely affiliated with the Medici court. As in most of the portraits in this gallery, Bronzino emphasizes wealth, status, and courtly refinement above personality or individualized expression. The plain background further accentuates the work’s monumentality and grandeur, despite its small scale. The hand placed against the chest with elegantly spread fingers extends back to an ancient Greek pose of modesty, here emphasizing the proper comportment of a woman of high status. The sitter wears a linen partlet (collar) delicately embroidered in matt stitch, part of which is, like her cuffs, trimmed in fine lace.
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Michele Tosini, called Michele di Ridolfo — Portrait of a La
Italian (Florentine) Painter (possibly Jacopo Zucchi, Floren
Carlo Portelli — Portrait of a Woman
Bronzino (Agnolo di Cosimo di Mariano) — Portrait of a Young
Parrasio Micheli ; Paolo Veronese — Portrait of a Lady
Andrea del Sarto (Italian, 1486–1530) — Portrait of a Woman
anonymous — Portrait of a Woman
Pier Francesco Foschi (Italian, 1502–1567) — Portrait of a W
Dosso Dossi (Italian, c. 1490–after 1541) — Portrait of a Yo
Davide Ghirlandaio (David Bigordi) — Selvaggia Sassetti (bor
Giambattista Moroni — Portrait of a young woman holding a fa
Maerten van Heemskerck (Dutch, 1498–1574) — Portrait of Mach