● On view now — Gallery 205
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The subject of this imposing portrait is unknown today. Her black costume and traditional mourning veil indicate her status as an aristocratic widow, while the prominent crucifix refers to her piety, as does the small prayer book in her hand. The woman is nearly life-size and framed by a dramatic black curtain, conventions in portraiture of the nobility across Europe at the time. In the decades around 1600, the Medici dukes of Florence intermarried with the ruling houses of Europe, and their court artists and work-shops helped establish an international style that appealed to princely and aristocratic collectors.
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Mattheus Verheyden — Maria Hartmansdr de Custer(e). Echtgeno
Gerard ter Borch (Dutch, 1617–1681) — Portrait of a Woman
Bartholomaeus Bruyn, the younger — Portrait of a Woman with
Rembrandt van Rijn — Portrait of Oopjen Coppit
anonymous — Portrait of Doedt van Holdinga (1570-1646)
Gerard ter Borch (II) — Portret van Aletta Pancras (1649-170
Anthonis Mor — Portrait of a Seated Woman
anonymous — Portrait of Suzanna Moor (1608-57)
Maerten van Heemskerck (Dutch, 1498–1574) — Portrait of Mach
Follower of Antonis Mor — Portrait of a Court Lady
Andrés López Polanco — Queen Margaret of Spain
North Netherlandish — Saint Gertrude of Nivelles and an Augu