In the collection of Cleveland Museum of Art, Cleveland — check current display status with the museum.
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Pissarro probably learned the technique of monotype from his friend Edgar Degas. Although it allowed him to work in a spontaneous and expressive way, the medium never played a significant role in his work.
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James McNeill Whistler (American, 1834–1903) — The Smith's Y
Rik Wouters — Schetsblad met zittende vrouw, die op haar sto
James McNeill Whistler|Thomas Robert Way — The Tyresmith, fr
James McNeill Whistler (American, 1834–1903) — The Fair
James McNeill Whistler — Cottage Door
James McNeill Whistler — Chelsea Rags
James McNeill Whistler (American, 1834–1903) — Fair, Lyme, -
James McNeill Whistler (American, 1834–1903) — Street Scene
James McNeill Whistler — The Sunny Smithy
James McNeill Whistler (American, 1834–1903) — The Barrow - 
Auguste Louis Lepère (French, 1849–1918) — L'Incendie de Lou
Eugène François de Block — Thuiskomst van een oude soldaat, 
![Le Pont Boieldieu, Rouen, Soleil Couchant [The Pont Boieldieu at Sunset]](https://thumb.wikimedia.org/wikipedia/commons/thumb/4/4a/Pissarro_-_Le_pont_Boieldieu_%C3%A0_Rouen%2C_soleil_couchant%2C_1896.jpg/500px-Pissarro_-_Le_pont_Boieldieu_%C3%A0_Rouen%2C_soleil_couchant%2C_1896.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=thumbnail)
