James Gillray

A Calm

published May 16, 1810
Hand-colored etching on paper
26 × 36 cm (10.2 × 14.2 in)

SEE IT IN PERSON

Not currently on view

In the collection of Art Institute of Chicago, Chicago · as of July 2026

View at artic.eduPlan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by James Gillray

The Union ClubThe Union ClubA SquallA SquallThe Pic-Nic OrchestraThe Pic-Nic OrchestraFrench Liberty, British SlaveryFrench Liberty, British SlaveryThe Magnanimous-Minister, Chastising Prussian-PerfidyThe Magnanimous-Minister, Chastising Prussian-PerfidyArs musicaArs musicaThe Elements of Skating: The Consequence of Going Before the WindThe Elements of Skating: The Consequence of Going Before theElements of skateing: A fundamental Error in the Art of SkaitingElements of skateing: A fundamental Error in the Art of Skai

More like this

Progress of Gallantry or Stolen Kisses SweetestThomas Tegg|Thomas Rowlandson — Progress of Gallantry or StoReturning from the Review (Loyal Ducking)Thomas Rowlandson|Thomas Rowlandson — Returning from the RevThe Masculine GenderHenry Kingsbury|S. W. Fores — The Masculine GenderProgress of Gallantry or Stolen Kisses SweetestThomas Tegg|Thomas Rowlandson — Progress of Gallantry or StoPlate 10, from "World in Miniature"Rudolph Ackermann, London|Thomas Rowlandson — Plate 10, fromPlate Two from The Supreme Current FashionPierre Nolasque Bergeret — Plate Two from The Supreme CurrenA View near Folkstone with Fishermen Selling a CargoElizabeth Jackson|Thomas Rowlandson — A View near Folkstone View of London with St. Paul’s in the Distance: Woman and Children with a Baby CarriageJulius Caesar Ibbetson — View of London with St. Paul’s in tModern Elegance, a PortraitJames Gillray|Hannah Humphrey — Modern Elegance, a PortraitHet oordeel van Paris, satireHenry William Bunbury — Het oordeel van Paris, satireDropsy Courting ConsumptionThomas Rowlandson|Thomas Tegg — Dropsy Courting ConsumptionPlate 8, from "World in Miniature"Rudolph Ackermann, London|Thomas Rowlandson — Plate 8, from