● On view now — Gallery 131
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Trans-Asiatic trade expanded the Chinese repertoire of simple, wheel-thrown clay shapes to include composite forms pressed in molds. This pilgrim flask—a vessel shape that may imitate forms originally made in glass, leather, or metalwork —depicts a young boy adorned with a billowing scarf, who dances with a lion. Although similar images can be traced back to Hellenistic Greece (c. 300-200 B.C.), the extent of such Classical influence on the much later art of Tang dynasty China has yet to be determined. This vessel displays a fluid “three-color” ( sancai ) glaze, named after the archetypical combination of bright green, amber, and white (transparent) lead-rich glazes that have been colored with carefully measured recipes of metallic oxides. The green derives from copper and the amber from iron.
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Moche — Stirrup Spout Vessel with Relief Depicting a Fishing
China 中国 — Dragon-Handled Amphora 三彩双龙耳瓶
France, Rouen — Cider Jug
William De Morgan — Vase
Paul Preunig — Jug with Adam and Eve
anonymous — Baardmankruik met een gekroond wapen
Manufacture nationale de Sèvres — Vase
John Bell — Jug
Worcester Porcelain Factory — Covered Vase
Vietnam — Pear-Shaped (Yuhuchun) Bottle with Everted Lip
William De Morgan — Vase
Korea — Bottle-Shaped Vase with Lotus Flowers and Stylized S