Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Italian mannerist artists such as Rosso Fiorentino (1494-1540) who worked on the painting and stucco decoration of the French royal palace of Fontainebleau established a courtly style of attenuated elegance and refinement in the period 1530-60. The achievements of this so-called first school of Fontainebleau were documented and disseminated by prints, sometimes by the masters themselves. This rich engraving is based on a now-lost drawing by Fiorentino of about 1530/32, perhaps for a sculptural relief for the Abbey of Cluny, the patron saints of which were Peter and Paul. This print is of particular interest as it was created, not at the time in Fontainebleau., but a generation later by a Parisian engraver, and suggests the lasting influence of the decorative projects broadcast through prints.
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Jan Sadeler, I — Betrayal of Christ, from Passion of Christ
Jan Sadeler, I — Christ Disrobed by the Soldiers, from Passi
Jan Sadeler, I — Arrest of Christ, from Passion of Christ
Jan Sadeler, I — Crowning with Thorns, from Passion of Chris
Jan Sadeler, I — Arrest of Christ, from Passion of Christ
Jan Sadeler, I — Ecce Homo, from Passion of Christ
Albrecht Dürer — Ecce Homo, from The Engraved Passion
Jan Sadeler, I — Agony in the Garden, from Passion of Christ
Leonard Thiry|René Boyvin — Queen Ino and the Husbandman (La
Jan Sadeler, I — Agony in the Garden, from Passion of Christ
Jan Sadeler, I — Betrayal of Christ, from Passion of Christ
Luca Penni|Jean Mignon — The Lamentation over Christ