● On view now — Gallery 239
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The morion was the most common helmet throughout Europe in the 16th century. Its popularity owes to a design that was as stylish as it was practical. The pointed broad brim and comb were crafted to protect the open face, neck, and top of the head by trapping or sliding away an assailant’s blows.
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Head of a Woman
Altarpiece from Thuison-les-Abbeville: Saint Hugh of Lincoln
Panels from the High Altar of the Charterhouse of Saint-Hono
Portrait of a Young Man
Altarpiece from Thuison-les-Abbeville: Saint Honoré
Altarpiece from Thuison-les-Abbeville: The Ascension
Panels from the High Altar of the Charterhouse of Saint-Hono
The Nymph of Fontainebleau
Northern Italian, probably Brescia — Comb Morion
Northern Italian, probably Brescia — Pointed Morion
Northern Italian — Burgonet
North Italian, probably Milan — Pointed Morion
North Italian, probably Brescia — Morion-Burgonet
Northern Italian — Close Helmet
Italian; Milan — Demi Shaffron of an Infantry Garniture
Hans Michel — Morion for the Bodyguard of the Elector of Sax
Northern Italian; probably Milan — Sallet
South German — Burgonet
South German; Nuremberg — Close Helmet for the Tourney
Possibly by the workshop of Wolfgang Grosschede
Southern Ger