Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
From the medium’s beginnings in the 1830s through the 1880s, most photographs were intimately scaled objects meant for the hand, the album, and the home. As the medium began being used to document landscapes and monuments in the 1850s, larger scale processes arose such as the glass-plate negative. The mammoth print truly seemed gargantuan in the 1860s. For much of the 20th century, the 8-x-10-inch gelatin silver print was the norm for photojournalism; these prints were destined for reproduction in books and magazines around the same scale.
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Timothy O'Sullivan — Alpine Lake, in the Sierra Nevada, Cali
Samuel Bourne (British, 1834–1912) — The Upper Himmalayahs.
Andrew Joseph Russell — Lake at the Head of Bear River, Uint
John Burke (Irish, 1845–1915) — Untitled (Landscape Scene)
Carleton E. Watkins — River View, Sentinel, 3270 Feet
Andrew Joseph Russell — Snow and Timber Line, Medicine Bow M
Carleton E. Watkins — Cathedral Rock, Down the Valley
Carleton E. Watkins — River View, Sentinel, 3270 Feet
Carleton E. Watkins — Pompomasos (Leaping Frogs), Three Brot
Carleton E. Watkins — Sentinel. Front View: 3270 Feet.
Timothy O'Sullivan — Snow Peaks, Bull Run Mining District, N
Carleton E. Watkins — Three Brothers, Front View, 4480 Feet