Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In this lithograph, Daumier lampooned the popularity of paintings in the annual Salon by placing an overwrought sculpture atop a round settee in the center of a painting gallery. The total number of works of art exhibited at the Salon was already over 5,000 by this date, and paintings were hung nearly from floor to ceiling. As a result, the sculpture in the middle of the room becomes effectively invisible, as viewers seated below only look outward. With so much color on the surrounding walls, the sculpture becomes a monochrome, washed-out specter despite its imposing scale and animated antics.
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Aaron Martinet|Honoré Daumier|Destouches — Walk-through of a
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Arnaud de Vresse|Honoré Daumier|Walter Frères — –It's the Ap
Aaron Martinet|Honoré Daumier|Destouches — For the seventh t
Destouches|Honoré Daumier|Aaron Martinet — Still more Venuse
Honoré Daumier — These are responsible for those, from 'News
Honoré Daumier|Charles Trinocq|Maison Martinet-Hautecoeur, F
Honoré Daumier|Arnaud de Vresse|Destouches — The decline of
Aaron Martinet|Destouches|Honoré Daumier — Consequences of a