Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Anthony van Dyck produced stand-alone portraits of famous men as well as those in his Iconography ; all of them went through multiple states of engraving. This, the first state, included only the sitter’s head. Another artist likely added the body and framing elements to the four state . The final state would include text describing the sitter and his coat of arms. Baron Philippe Le Roy was a Flemish diplomat who would help end the Thirty Years’ War in 1648; Van Dyck had already painted his portrait in 1630 (Wallace Collection, London).
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Anthony van Dyck (Flemish, 1599–1641) — Philippe Le Roy
Anthony van Dyck (Flemish, 1599–1641) — Philippe Le Roy
Anthony van Dyck|Justus Sustermans — Justus Suttermans, from
Claude Mellan|Henri de Mesmes — Henri de Mesmes
Anthony van Dyck|Anthony van Dyck — Self-Portrait, from "The
Guercino (Giovanni Francesco Barbieri) — Portrait of Morose
Anthony van Dyck (Flemish, 1599–1641) — Frans Snyders
Unknown artist — Willem de Vos
Claude Mellan|René de Longueil, Marquis de Maisons — René de
Anonymous, Flemish, 17th century|Anthony van Dyck|Cornelis d
William Dobson|Josias English|William Dobson — Portrait of W
Jacques Louis David|baron Dominique Vivant Denon — Civil Gar