Jean Hugo

The Flight (Beginning of the End of the World)

May–August 1931
Tempera on wood panel
23.5 × 33 cm (9.3 × 13 in)

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● On view now — Collection Gallery, Room 15, South Wall

Barnes Foundation, Philadelphia · verified July 2026

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FROM THE BARNES FOUNDATION’S CATALOG

Jean Hugo wrote to his wife one December, "Each winter, the unicorns come out of the woods like wild boars and come to haunt me in my paintings." Such would seem to be the premise of The Flight , in which a silver unicorn, a black bull, and a mottled horse with a human face charge through a barren, moonlit landscape while harpies fly above. The austere setting recalls late medieval Italian painting, as does Hugo's use of egg tempera. These qualities would have appealed to Dr. Barnes, who appreciated modern artists' adaptations of past traditions to capture their own experiences.

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