● On view now — Collection Gallery, Room 15, South Wall
Barnes Foundation, Philadelphia · verified July 2026
FROM THE BARNES FOUNDATION’S CATALOG
Jean Hugo wrote to his wife one December, "Each winter, the unicorns come out of the woods like wild boars and come to haunt me in my paintings." Such would seem to be the premise of The Flight , in which a silver unicorn, a black bull, and a mottled horse with a human face charge through a barren, moonlit landscape while harpies fly above. The austere setting recalls late medieval Italian painting, as does Hugo's use of egg tempera. These qualities would have appealed to Dr. Barnes, who appreciated modern artists' adaptations of past traditions to capture their own experiences.
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Henri Rousseau — Monkeys and Parrot in the Virgin Forest (Si
Giorgio de Chirico — Horses of Tragedy (I cavalli della trag
Joan Miró — Group of Personages (Groupe de personnages)
Angelo Pinto — Seashells
Henri Rousseau (French, 1844–1910) — Fight Between a Tiger a
Giorgio de Chirico — Two Mysterious Cabins
Joan Miró — Group of Women (Groupe de femmes)
John Atherton — The Black Horse