In the collection of Cleveland Museum of Art, Cleveland — check current display status with the museum.
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
To make this monumental woodcut—considered one of the most ambitious prints of the Renaissance—Titian probably drew directly on the wooden blocks, after which a skilled cutter completed the blocks. The size rivals that of a painting, and the composition would have hung on a wall. Titian’s bold vision presents nature as a vehicle of God’s mercy and wrath. Moses, at right, having parted the seas for the Israelites to pass, commands them to close over the Egyptian forces (Exodus 14:21–31). Titian propelled the narrative with remarkable unity, dedicating entire blocks to the turbulent sea and rolling clouds that culminate in a magnificent cliff and Renaissance city. Some have interpreted the scene as an allegory of Venice’s troubles with the League of Cambrai, a military alliance that threatened the island city.
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Hendrick Goltzius (Dutch, 1558–1617) — Four Small Landscapes
Domenico dalle Greche|Titian (Tiziano Vecellio)|Bernardino B
Giovanni Battista Piranesi (Italian, 1720–1778) — The Triump
Ernest Haskell (American, 1876–1925) — Sunrise
Quentin Pierre Chedel — Landscape, from a series of six land
Giovanni Domenico Tiepolo (Italian, 1727–1804) — Flight into
Rodolphe Bresdin (French, 1822–1885) — My Dream
Albrecht Altdorfer (German, c. 1480–1538) — The Fall and Red
Simone Cantarini (Italian, 1612–1648) — The "Quos Ego"
Giovanni Domenico Tiepolo (Italian, 1727–1804) — Flight into
Abraham van Diepenbeeck — Hell
Karel Dujardin — Landscape with corner of building and awnin
