● On view now — Gallery 161
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The light and landscape of Florida inspired George Inness’s Early Morning, Tarpon Springs . Amid the pale pinks and blues of sunrise, a miniscule figure stands in a grove of trees, harmonizing with the surrounding landscape. The color of his pants mirrors that of the tree trunks, and his red hat suggests a luminous, low sun. Believing that objects in the natural world were suffused with spiritual meaning, Inness incorporated the tenets of Swedenborgian Christianity into his work. Landscape painting, in turn, became a site for contemplation and religious experience.
Be the first to share your thoughts.
Sign in to join the discussion.
George Inness (American, 1825–1894) — Sunny Autumn Day
Jean Baptiste Camille Corot (French, 1796–1875) — The Pond a
Johan Hendrik Weissenbruch — Autumn Landscape
Constant Troyon — A Clump of Trees
Johan Hendrik Weissenbruch — Landschap met boerderij bij een
Jan van der Linde — Landscape with Farmhouses
Paul Joseph Constantin Gabriël — A Watercourse near Abc
Jacob Maris — Landschap in de omgeving van Den Haag
William Keith — Landscape
Jules Dupré — The Cottage by the Roadside, Stormy Sky
Hugh Huntington Howard (American, 1860–1927) — Evening
George Inness (American, 1825–1894) — Fleecy Clouds