Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This is an early developed compositional modello for the fresco in the choir of the church of Santa Caterina dei Funari, Rome, datable to 1570/71—a commission that Livio Agresti began (see adjacent drawing) and Federico finished. Ultimately, the fresco was changed from a basamento to an overdoor, as documented by two further studies. Like the Livio Agresti drawing on view nearby, this multilayered work shows Saint Catherine continuing to fight for her cause even while behind bars. The blue paper used as a support, along with the carefully employed washes and gouache, deepens the dank ambience of the saint’s period of incarceration.
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Assumption of the Virgin
Coronation of the Virgin, with the Martyrdom of Saint Lawren
Assumption of the Virgin
Study for The Allegory of Spring
Group of Blessed Souls: Study for the Last Judgment
The Vision of Saint Eustace
Christ in the Garden of Gethsemane (Matthew 26:36-46)
Half-Length Study of a Man Standing in Frontal View, Leaning
Giovanni Lanfranco — Design for a Wall Decoration with the S
Jan Luyken — Allegory of Navigation
Guido Reni — The Holy Family seated together in front of a c
Jean Bernard Toro — Study for an Ornamental Panel
Louis Licherie de Beurie|Nicolas Poussin|Anonymous, French,
Anonymous, Netherlandish, 16th century — Adoration of the Ma
Andrea Boscoli — Annunciation
Guido Reni — The Holy Family seated together in front of a c
Guiseppe Colignon (Collignon) — Design for a Sepulchral Monu
Antoine Dieu — The Nine Pierides Transformed into Magpies af
Unknown artist — Warrior Conversing with Lady in Banquet, wi
Maerten de Vos|Hans Bol — Ecce Homo