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In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
To make a chiaroscuro woodcut, an artist uses a separate woodblock for printing each different color of ink. Often, as was the case for both of these prints, the image was rendered primarily in a line block, usually in black. The additional colors—together with the color of the paper itself—provide more definition to the forms and more dramatic light effects. The virtuoso graphic artist Hendrick Goltzius used the chiaroscuro woodcut technique to great effect in his depiction of Hercules completing the 10th of his 12 labors: the capture of the cattle of Geryon. To accomplish this feat, he had to vanquish the giant Cacus. Goltzius shows the moment just before Hercules violently clubs the giant, which is made especially dramatic by the vivid conjunction of yellow and green. Although Goltzius's advances in line engraving found many followers, few artists pursued his equally original exploration of chiaroscuro woodcuts printed from one line block and multiple tone blocks. The largest, and one of the earliest of the chiaroscuro woodcuts from Goltzius's workshop, this dramatic print is also the only one to have a date cut into the block. Here Hercules slays Cacus, a cattle thief, in his c
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Hendrick Goltzius (Dutch, 1558–1617) — Hercules and Cacus
Giorgio Ghisi|Perino del Vaga (Pietro Buonaccorsi) — Seated
Albrecht Dürer — The Desperate Man
Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi) — D
Etienne Delaune (French, 1518/19-c. 1583) — Combats and Triu
Heinrich Aldegrever — Hercules Killing Cacus, from The Labor
Étienne Delaune — Combats and Triumphs: Battle of the Naked
Lucas Kilian|Bartholomeus Spranger — Hercules and Antaeus
Heinrich Aldegrever — Hercules Fighting the Hydra of Lerna,
Battista Franco — John the Baptist Preaching in the Wilderne
Albrecht Dürer — Christ in Limbo, from "The Passion"
Albrecht Dürer — The Desperate Man